Globally, there are over one billion people with disabilities. They are now more active in our society than ever before. Yet employment rates are low and many barriers to work still exist.
The InfoStories platform offers interactive narratives built around research findings from the ILO.
The first three images are unused concepts. See the infostory live here
I was asked by Jigsaw to create a set of illustrations for their 2016 Christmas campaign. The illustrations were used on their international homepage, their dedicated Christmas page, and throughout various email and digital marketing campaigns. The main illustration shows the brand's flagship store, on King's Road in Chelsea. I was also asked to create a special Christmas edition set of icons to go with the rest of the campaign.
Poetry in Potato Bags
This year, Valletta is Europe’s capital city of culture. I was invited to take part in an awesome collaborative project called ‘Poetry in Potato Bags’.
The project took over an abandoned store on Strait Street (in the heart of Valletta's cultural centre) and filled it with poetry stored in recycled packaging, displayed on shelves made of recycled wooden pallets. Guests were invited to read the poems and even share their own.
It was a real pleasure to design the packaging, poems and outdoor sign.
Branding for the newly launched Good Growth Partnership, led by the United Nations Development Programme and supported by some of the world's leading organisations fighting deforestation due to agriculture, soy and palm-oil harvesting. The project was launched at the UN headquarters in New York.
I created a series of characters and character styles for Nice and Serious' brilliant campaign for Heineken USA's 2017 Sustainability Report. The characters were created for a series of humorous 'Would You Rather' situations. Most of my illustrations featured here were styleframes created in the initial phase of the project.
"DeBono's method forces the brain to start out at new and different points of departure, preventing it from falling into a familiar groove it has formed before"
The above quote references Stefan Sagmeister discussing Maltese philosopher Edward deBono's method of critical thinking, where the thinker chooses an object at random and associates it with the area they are thinking about. In this case, I was sat in the park with my sketchbook, jotting down notes and ideas and came to a bit of a blank. I looked around and saw a bench, and applied this way of thinking...taking the "bench" as a point of departure.
I based the concept on a quote by Peter Brook: "I can take any empty space and call it a bare stage." Keeping this quote in mind, I started thinking about what can constitute as an empty stage. As a case study, I thought of the simple bench in a park. A bench is a place to sit, to reflect, exchange ideas and observe. This same bench could also perform as a stage, a platform, a desk or a workspace. It is up to the creativity of the individual to imagine and maximise the potential of the bench. In the same way, it is up to the individual(i.e. the artist) to use the services offered by the Arts Council to their full creative potential as a platform for opportunities or support. Furthermore I explored the shapes of different alternative "stages" such as the humble chair, either at home, in an empty room or as part of a audience.
The brand was developed to represent the ever-changing nature of shadows cast from these empty chairs, to show the organic nature of our cultural and artistic sector at this particular stage in its growth. Each empty chair represents the Arts Council and the support given to the artist. Through the icon and the colour scheme the brand is fluid and dynamic, changing according to what we need to promote but at the same time staying true to the ever changing nature of creativity.
I was tasked with this rebranding project whilst working at Brnd Wgn ... a somewhat dream project for me, given that I was already involved in several projects for the council.
Into The Wild
I illustrated this on a long bus ride up to Glasgow on the day of the anniversary of the death of Chris McCandless, aka Alexander Supertramp, who died 24 years ago in this rusty old bus. I experimented with new ways of shading, adding gradients etc to make my work look less flat. For those of you who don't know the story of McCandless, I highly recommend Jon Krakauer's legendary book, or Sean Penn's equally exciting film "Into The Wild" with Eddie Vedder's incredible soundtrack.
As part of the Maltatype project, I was asked to create a limited edition print for the 'Elsewhere' event hosted by Maltese creative hub HeyDay. This event was hosted at "The Orpheum", a spectacular old theatre that I couldn't help but illustrate.
Palatino used to be the best-seller for Camilleri Wines but had hit a decline. They wanted a fresh revamp and a complete label re-design. The aim was to achieve a modern-classic feel, striking a balance between a rich looking label but without seeming too high brow.
I researched the origins of the name Palatino, and found loads of visual inspiration in the mosaic patterns in the ancient Imperial Palaces on the Palatine Hill, where the mythical brothers Romolus and Remus were said to have founded the Empire of Rome.
I recreated these ancient mosaic patterns and applied a playful, vibrant colour scheme whilst still trying to keep the label neat and tidy. The client was really happy with the result and you can now find this wine range in shelves all over the Maltese Islands.
A collection of some of my illustrations based on Maltese facades and buildings that have some sort of significance to me... including the house I grew up in, and my grandparent's old house.
Illustrations for Student.com
Whilst working as a Senior Visual Designer at Student.com, I was also the main illustrator and provided loads of illustrations for branding and online purposes. Here are a few of them.
Maltatype is a showcase of traditional typography adorning the streets of Malta and Gozo.
The project originated from a love of type, with signs that are embedded within the Maltese cultural landscape and informed by its distinct styles and techniques.
More than just placards, we consider these valuable historic artefacts that often go unnoticed by the public in a saturated urban environment. Maltatype celebrates these signs, their history and their makers, giving them relevance and recognition in the 21st century and beyond.
Our approach is as much a preservation of the past as it is a glance into the future. We aim to elevate these signs beyond their place on derelict and neglected buildings, by creating original work that is designed to sustain their timeworn beauty while giving them value in a contemporary context. Find this work on our Studio page.
Maltatype was co-founded and is currently run by Matthew Demarco, Katerina Karamallaki and Ed Dingli.
I produced these motivational posters for Student.com as part of a pack that was sent out to students as fresher's week. They each received one when they moved into their new accommodation.
I was asked by the Valletta 2018 (V18) Foundation to brand the new Valletta International Visual Arts Festival. I drew inspiration from the many angular shapes found around Valletta, as well as the angular shapes that are found in the letters spelling out the title, to form an obvious "V"
Winter Moods is a Maltese band formed in the mid-1980s. During the past 30 years the band produced has five albums, and broke local records for attendance with two concerts. I was asked to create the artwork of their latest album, "The Journey".
The artwork shows a person approaching the end of his life, reflecting on the journey he has just had as he approaches the afterlife. The reflection is full of contrasts, going from cold feelings to warm emotions (blue to red colours), going from dry trees at the bottom to lush vegetation at the top, as well as the stark contrast between the rocks (rocky times in life) and the calm and serene.
I have also included an image of another artwork that I created based on a separate concept, that was rejected by the band.
Notte Bianca is an annual festival organised by the Arts Council Malta. It is arguably Malta's largest artistic festival. It is named 'Notte Bianca' as it is a festival of light. Therefore, I thought it would be apt to create a logo out of light, using long exposure photos and different sources of light to capture the individual letters.
Whilst working at Brnd Wgn, I was asked to come up with a proposed branding identity for the new museum of art, forming part of Camilleri Architect's pitch for a design competition.
The acronym MUZA stands for Mużew Nazzjonali tal-Arti (Maltese for National Museum of Fine Arts), but also refers to the Muses, the mythological figures inspiring the arts and the etymological source of the word museum.